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8 January 1836 – 25 June 1912. Most renowned painters.

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Herring, John F. Sr.
A Soldier with an Officers Charger

ID: 87287

Herring, John F. Sr. A Soldier with an Officers Charger
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Herring, John F. Sr. A Soldier with an Officers Charger


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Herring, John F. Sr.

British, 1795-1865  Related Paintings of Herring, John F. Sr. :. | San Giacomo di Rialto (detail) kkj | The Beguiling of Merlin | Die Seine bei Bougival | The Balcony | Diana and Actaeon |
Related Artists:
Gilbert Charles Stuart
1755-1828 Gilbert Charles Stuart Locations Gilbert Charles Stuart (born Stewart) (December 3, 1755 ?C July 9, 1828) was an American painter from Rhode Island. Gilbert Stuart is widely considered to be one of America's foremost portraitists. His best known work, the unfinished portrait of George Washington that is sometimes referred to as The Athenaeum, was begun in 1796 and left incomplete at the time of Stuart's death in 1828. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for over one century. Throughout his career, Gilbert Stuart produced portraits of over 1,000 people, including the first six Presidents of the United States. His work can be found today at art museums across the United States and the United Kingdom, most notably the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery in London, and the Museum of Fine Arts in Boston.
Charles de Lafosse
French Baroque Era Painter , Paris 1636/40 -1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century with the lightness and grace of the 18th
Germain-Fabius Brest
French, 1823-1900






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